Home » African Arts 47:3 (Autumn 2014) by Carlee S. Forbes
African Arts 47:3 (Autumn 2014) Carlee S. Forbes

African Arts 47:3 (Autumn 2014)

Carlee S. Forbes

Published July 31st 2014
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Kindle Edition
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 About the Book 

African Arts presents original research and critical discourse on traditional, contemporary, and popular African arts and expressive cultures. Since 1967, the journal has reflected the dynamism and diversity of several fields of humanistic study,MoreAfrican Arts presents original research and critical discourse on traditional, contemporary, and popular African arts and expressive cultures. Since 1967, the journal has reflected the dynamism and diversity of several fields of humanistic study, publishing richly illustrated articles in full color, incorporating the most current theory, practice, and intercultural dialogue. The journal offers readers peer-reviewed scholarly articles concerning a striking range of art forms and visual cultures of the world’s second largest continent and its diasporas, as well as special thematic issues, book and exhibition reviews, features on museum collections, exhibition previews, artist portfolios, photo essays, edgy dialogues, and editorials.Contents of Issue 47:3 (Autumn 2014):first wordKongo Atlantic Dialogues: Kongo Culture in Central Africa and the AmericasCarlee S. Forbes and Victoria L. RovinearticlesThe Queen as an Aku Woman?Reassessing “Yoruba” Queen Victoria Portrait FiguresZachary KingdonHot Women!South Sotho Female Arts in ContextDavid M.M. RiepCosmological Efficacy and the Politics of Sacred SpaceSoli Rainmaking on Contemporary ZambiaRuth Simbaoartist portfolioWillem Boschoff’s Visual ListsA Personal Plea for Cultural PreservationAntonia Dapena-Tretterartist portfolioAlmighty God Says Stop SmokingDoran H. Rossexhibition reviewsObjects of Belief from the Vatican: Art of Africa, Oceania, and the Americasde Young Museum, San Franciscoreviewed by Michelle ApotsosKendell Geers, 1988–2012Haus der Kunst, Munichreviewed by Nico Anklam and Christian GanzenbergIbrahim El-Salahi: A Visionary ModernistTate Modern, Londonreviewed by Atta KwamiMeschac GabaMuseum of Contemporary African Art, Tate Modern, Londonreviewed by Sophie MewJane Alexander: Surveys (From the Cape of Good Hope)Cathedral Church of St. John the Divine, New Yorkreviewed by Rosalind C. Morrisbook reviewsDaughters of Seclusion: The Revelation of the Ibibio “Fattened Bride” as the Icon of Beauty and Powerby Imo Nse Imehreviewed by Amanda B. CarlsonAfrican Cosmos: Stellar Artsed. by Christine Mullen Kreamerreviewed by Sara ByalaAfrican Art and Agency in the Workshoped. by Sidney Littlefield Kasfir and Till Försterreviewed by Bettina von LintigAfrican Video Movies and Global Desires: A Ghanaian Historyby Carmela GarritanoZimbabwe’s Cinematic Arts: Language, Power, Identityby Katrina Daly ThompsonHollywood’s Africa after 1994ed. by MaryEllen Higginsreviewed by Amy L. Powellafrican art in unusual placesVintage Baggage